Following Souvenirs du futur — Volume I, this second volume unfolds as a space where images no longer simply appear — they respond, transform, and resonate.

Because here, the image is never alone.

It emerges from a dialogue between the human and the machine — between intuition and computation, instinct and algorithm. A two-voiced writing where creating becomes a form of conversation.

At its core lies a simple yet radical idea:
reality is not given — it is shaped by the way we see it.

Echoing quantum physics, where the observer influences the observed, the exhibition suggests that imagining is already transforming. To create an image is to open a possibility within the real.

From ancient myths to contemporary visions, images have always preceded the world. They prepare it, they summon it.

We encounter again the pink soldiers — fragile remnants of a dissolved conflict — alongside extraterrestrial figures, modern mythologies of otherness that challenge our perception and invite us to rethink difference.

Wonder, here, is not an escape.
It is a strategy.

A way to shift reality, to re-enchant it, to open cracks through which new possibilities can emerge.

This new chapter expands into a constellation of mediums — painting, sculpture, video, and technology — not as a display of innovation, but as a poetic extension of perception.

The machine becomes a partner.
It suggests, distorts, reveals.

Together, they generate images that are immediate, accessible, yet charged with deeper meaning — images that can rival the language of advertising while diverting its codes.

Because images shape the world we live in.

So the intention is simple:
to create others.

Images that open.
Images that awaken.
Images that transform.

A new cosmogony, still being written — between human and machine.

An invitation to see differently.
And to dream with our eyes open.